Director Goutam Ghose often wondered as a 10-year-old why his friends could visit their desher bari during vacations while he could not.
“I remember asking my mother if we have a gramer bari. She would say, ‘achhe, but it is in East Pakistan and we don’t have easy access’,” Ghose said during a recent conference at Max Mueller Bhavan.
The conference kicked off a five-month Indo-Bangladesh project titled My Parent’s World – Inherited Memories, organised by Calcutta and Dhaka’s Goethe Institut.
Ghose narrated how he used to accompany his grandmother to refugee colonies in the Jadavpur and Bijoygarh areas to meet relatives. “I remember my grandmother telling me stories…. When I became a filmmaker, I thought let’s connect. Two races had been divided for a wrong reason. I wanted to go back to my ancestral home and make a film. So I made Padma Nadir Majhi and my father was really happy. He said he was happy that I had chosen the subject as I could go and shoot near the Padma.”
The conference saw speakers like Andrea Zemskov-Zuge from the Berghoff Foundation, Berlin; Manas Ray of the Centre for Studies in Social Sciences, Calcutta; Meghna Guhathakurta, executive director, Research Initiatives, Bangladesh, which works with the marginalised community; and former BBC journalist Nazes Afroz.
Ghose spoke about a village (Chakpanital) where he shot for his upcoming Indo-Bangla film – Shonkhochil. It is a village where there are houses of both sides and people live together.
“I find this two-nation theory absurd… that too on the basis of religion. While making the film, I was studying the Radcliffe Line. It is so strange… how on a huge water body you find a zigzag line separating two nations. Same people, same language, same culture divided by an absurd border. Why did Gandhi not launch a ‘Stop Partition Movement’ like the Quit India Movement?”
As part of the project, eight students from Calcutta travelled to Goethe Institut, Bangladesh, to meet eight students there. Together they will attend conferences and workshops on commemorative culture. “Once both sets of students are trained in interviewing techniques, they will interview third generation families of Partition on both sides of the border. People would be selected to travel to the country of their ancestors,” said Judith Mirschberger, director, Goethe Institut, Bangladesh. “So, someone living in Calcutta would travel to Bangladesh and vice versa to trace his/her family roots with these students.”
The project will end with the launch of a web platform where all interviews and background information will be put up.
From Shahid Minar in Dhaka to a memorial in Bhopal by a Dutch sculptor for victims of the Bhopal gas tragedy, Nazes Afroz, who is also the coordinator of the project, presented a slide show of pictures, while talking on the topic “Visual tool is very important in culture of memory”.
It was after a visit to Dhaka in February 2014 for an exhibition that Friso Maecker, the director of Goethe-Institut, Calcutta, started thinking about the possibility of working together. “I remember we were shooting a documentary film, which was about moving from one place to another…. There’s not been much research on the influence of Partition on third generation people in India as well as in Bangladesh…. Also from the viewpoint of an outsider… it is quite astounding that there is no memorial or place to remember the migration of more than eight million people… Which is why we started the project.”
source: http://www.telegraphindia.com / The Telegraph, Calcutta,India / Front Page> Calcutta> Story / by Malancha Dasgupta / Tuesday – September 15th, 2015