Kolkata :
“It’s the only book I’ve read twice. And my favourite line is ‘life can’t be divided into chapters’,” mused Shahanshah Mirza, great-great-grandson of Wajid Ali Shah, referring to ‘The Last King in India’ by Rosie Llewellyn-Jones. The British historian has made waves by compiling facts about the legendary nawab whose memory still divides opinion.
Rosie smiled: “Thanks for helping me investigate the mind of the last king. The British opposed him because they wanted to take his kingdom. Mirza nodded: “You’ve dealt with his seclusion rather well.” He thought the agony associated with the annexation of Awadh is well portrayed in the book.
Rosie begins with a chapter following this act, when the nawab’s mother travels to petition Queen Victoria for justice. Unknown to her, the Queen had no power to return Awadh. The bleak start sets the tone for the book — the British duplicity, with the king caught between forces over which he had no control.
For inputs, Rosie has watched ‘Shatranj Ke Khilari’ “several times”. “Ray did a lot of research,” said Rosie. “When Ray met my father in 1978, he was asked if it was easy getting Amjad Khan into Wajid’s skin. He had said ‘Amjad was blinking a lot. When a ruler is angry, he doesn’t blink. His eyes are wide open’,”
said Mirza.
Rosie’s Kolkata connect goes a long way — since she found Mirza on the royal family website in 2004. “I came here and we did a lot of research together,” she said. The cover is a painting of the nawab which belongs to Mirza’s relative Sultan Ali Sadiq.
Rosie pointed out: “In nearly all his pictures, the king has his left breast exposed.” Mirza explained: “I guess the poet in the nawab wanted to show that his heart was always open.”
The book will be unveiled for the third time on Sunday after a London launch in June followed by another such ceremony in the nawab’s very own Lucknow last month. “Now it is Kolkata’s turn and we had to have Shahanshah,” said Rosie. Mirza has given Rosie inputs on the king settling down in Metiabruz (or Metiaburj, which literally means a clay tower). An old watchtower had once stood there, guarding the Hooghly river bend, giving the place its name.
“The book shows that even 127 years after his death,
Wajid Ali Shah, who himself authored 117 books (Rosie found some of them at the London Library), is still a subject of interest.”
The king contributed greatly to Kolkata’s culture. Kathak and kite-flying were introduced by him. He opened a menagerie which attracted a lot of visitors. According to Rosie, the king tried, within his limited resources (he had to live off a pension given to him by the British), to recreate a miniature Lucknow in Garden Reach-Metiabruz where he lived his last 31 years. He brought with him the music, the poetry, the cuisine, the adab that had made Lucknow under him the byword of culture and etiquette.
“His Calcutta stay changed many aspects of its social life. The British failed to fathom (deliberately) the love that he enjoyed from his subjects,” said his great-great-grandson.
The British, who deposed him to Calcutta in 1856, could hardly accept a ruler who believed that his subjects singing his songs was enough guarantee that he was seen as a good ruler. “Do Queen Victoria’s subjects sing her songs?” Satyajit Ray makes Wajid ask his chief minister in ‘Shatranj Ke Khilari’, thus capturing the differing notions of kingship.
source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Kolkata / by Ajanta Chakraborty, TNN / October 12th, 2014