Monthly Archives: September 2014

Lost and found: Seven fascinating stories of Calcutta’s Jewish past

The story of the Jews of Calcutta tends to always be a story about disappearance. There are only about two dozen Jews left in the city where once they were thousands and that makes it a poignant story of loss – of shuttered synagogues without services, a Jewish Girls School without a single Jewish girl, and buildings with names like Ezra Mansion but no Ezras in them. Nahoum’s Bakery and its plum cakes are about the only real memory most Calcuttans have of their city’s Jewish history. It makes for a melancholic nostalgic story both about the vanishing Jews of Calcutta and the city’s fading cosmopolitan charm.

But Jael Silliman says when she started archiving the city’s Jewish history she did not want it to be a lament about how few Jews were left in the city. She wanted to make a different point– “it is that the time we were here was full, was good and both we and the city benefited.”

JewishCalcutta.in is less a stuffy museum of that 230-year old history and more of a digital album that tells the story through snapshots and film clips and even recipes, through marriage contracts found in auction houses and wedding dresses stored away in attics in America. Silliman conceived of the idea, secured a Fulbright-Nehru fellowship and Jadavpur University’s School of Cultural Texts and Records came on board to help create the digital archive.

“My notion of the Jewish community was from my granny and my great-grandma and they were very conservative women, very inward-looking, not politically inclined. Fuddy-duddy kind of people,” she laughs. “I thought their worlds were very limited.”

But she found to her astonishment, her community was anything but limited. She encountered the first person in India to do magic on the radio. Silent movie stars. The first mother and daughter Miss India pair. The first woman to cut a record on disc in India.

Communists and Congressis. A woman asking to be a plaintiff in court long before even Britain had female lawyers. A woman lawyer fighting for the rights of Muslim women in purdah. The “Patton” of the Indian Army. And Jewish patrons of the Bengali Star Theatre in North Kolkata. “They loved what they called ‘gaana bajana’” chuckles Jael.

The Jews of Calcutta were mostly Arab Jews from Iraq, Syria and Yemen who came to India as traders. They prospered under the Raj in that grey area between “whites” and “blacks” and left behind grand edifices recalling that prosperity. But Jael says it’s worth remembering that because so many were new immigrants, over 40 percent of the community was poor and started at the bottom of the ladder.

In a way, she says the story of her community’s success is a story about India as well. “I think only a country like India would enable a community like this, which came for such a short time, to have the kind of impact they did,” she says. And her mother Flower Silliman says even though most of the Jews of Calcutta left in the decades after Independence — unsure of their position in the new country — there’s one thing worth remembering: “At least we didn’t vanish because of anti-Semitism. India can be proud and say that the Jews left because they wanted to leave and no one told them to go.”

The Jews of Calcutta are mostly gone but here are seven of the most intriguing stories they left behind, now saved on JewishCalcutta.in.

The Sefer Torah. Photo courtesy: www.sanjitchowdhury.com
The Sefer Torah. Photo courtesy: www.sanjitchowdhury.com

The Sefer Torah is a handwritten copy of the holiest book of the Jews usually stored in the Holy Ark of a synagogue. “We used to have 80-100 sefer torahs in the synagogue. Now we only have two. At least we have two” says Jael Silliman.

Arati Devi. Photo courtesy: Edmund Jonah
Arati Devi. Photo courtesy: Edmund Jonah

Arati Devi, a star of the silent film era was actually born Rachael Sofaer. She made three films including Punarianma: A Life Divine and A Man Condemned. She died in childbirth at the age of 35. Her cousin Abraham became a Hollywood actor alongside stars like Charlton Heston, Ava Gardner and Elizabeth Taylor.

Pramila. Photo courtesy: JewishCalcutta.in
Pramila. Photo courtesy: JewishCalcutta.in

Esther Victoria Abraham was voted as Miss India in 1947. But she became more famous as Pramila, the westernized vamp with Anglicized Hindi in films like Bhikaran, Ulti Ganga and Bijli. She married the film star Syed Hassan Ali Zaidi, a Shia Muslim and converted to Islam, yet remained Jewish to the end and her children observed Passover. Their daughter Naqui became Miss India in 1967, the first mother-and-daughter pair to do so. Naqui became Hindu. One son became Wahabi. Another son Haider remained Muslim but married a Tamilian Brahmin and wrote the screenplay for Jodhaa Akbar. When Esther died at 90, her sons, Jewish and Muslim, carried her to the Jewish cemetery while prayers from both scriptures were recited.

Aloo makallah has no ingredients except potatos and oil and salt but it’s a taste of Jewish Calcutta oldtimers remember nostalgically. Flower Silliman says the keepers of the kosher rules in Jewish kitchens were often Muslim cooks. “My cook would tell me its shabbat today. You have not made such and such dish. I was not at all religious but he was,” says Flower Silliman.

The Jonah family turns sahib. Photo Courtesy: Edmund Jonah
The Jonah family turns sahib. Photo Courtesy: Edmund Jonah

Mr Jonah and his sons show how the Baghdadi Jews quickly picked up British customs as they did business in India. “But he still sits like a Middle Easterner with his legs apart. So I think the transition for some of them was not so smooth,” says Jael Silliman.

Magen David Synagogue. Photo Courtesy: Ashok Sinha
Magen David Synagogue. Photo Courtesy: Ashok Sinha

There were three synagogues in Calcutta within walking distance of each other. “We used to roam from one synagogue to another. You told your father I am going to this synagogue this time. Not because you wanted to. But your girlfriend was there. Or you wanted to check out the new girl in town,” says Flower Silliman.

Ketuba or Marriage Contract. Photo Courtesy: JewishCalcutta.in
Ketuba or Marriage Contract. Photo Courtesy: JewishCalcutta.in

The elaborate Ketubas are now collector’s items. Jael Silliman was puzzled to be shown a ketuba from Faizabad which was not known to have Jews. But the project put her in touch with the family who owned that ketuba. Their forefather had gone to Faizabad to recruit railway workers for East Africa for the British in 1914. “It was like pieces of a puzzle which came together very neatly,” says Jael Silliman.

source: http://www.firstpost.com / FirstPost.com / Home> F.India> Latest News> India News / by Sandip Roy / September 13th, 2014

Benoy Konar, CPM leader, dies in Kolkata

Kolkata :

Benoy Konar, a front-ranking CPM leader in West Bengal, died at a city nursing home on Sunday after a prolonged illness, party sources said.

He was 84. Konar, a leading figure in the militant peasants’ movement in the state during 1960s and early 1970s, is survived by his wife, two sons and two daughters.

A former CPM central committee and state secretariat member, Konar was the party’s prominent peasant leader from Burdwan district.

A former party legislator, he was elected to the West Bengal legislative assembly from Memari constituency in Burdwan district three times — in 1969, 1971 and 1977.

Konar was elected as chairman of the five-member CPM central control commission in 2012, an internal vigilance wing of the party.

But he was dropped from the state secretariat, the party’s policy-making body in the same year as he had requested to be relieved of the responsibilities on health ground.

Konar had not been keeping well for the last several months.

He was known for making caustic remarks against the Trinamool Congress and its chief Mamata Banerjee which had drawn flak even from allies during Singur and Nandigram agitations.

Konar had also taken potshots against the then West Bengal Governor, Gopalkrishna Gandhi, after the Nadigram killing in 2007.

Taking exception to Gandhi’s description of the Nandigram outrage as a “cold horror”, Konar had said at a public meeting “Gandhi should come out of Raj Bhavan and carry the Trinamool flag.”

He was the brother of Hare Krishna Konar, a fire brand leader of the CPM, who played a major role in land reforms in West Bengal.

Konar served as the national president of the CPM’s peasants’ front All-India Kisan Sabha for years and was the organisation’s vice-president at the time of his death.

He was also the secretary of the state CPM’s peasant wing Paschimbanga Pradeshik Krishak Sabha.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> India / PTI / September 14th, 2014

Former CPM MP Saifuddin Choudhury dies

Kolkata :

Saifuddin Choudhury former CPM MP died on Sunday at a hospital at Delhi. Choudhury was an eminent parliamentarian who will be remembered for his fiery speeches. He was 62 and was suffering from throat cancer for the last few years.

Saifuddin Choudhury. (Picture courtesy Party for Democratic Socialism, India's official website http://www.pdsindia.org/)
Saifuddin Choudhury. (Picture courtesy Party for Democratic Socialism, India’s official website http://www.pdsindia.org/)

He became an MP from Katwa in Burdwan in 1980. However, there was growing discontent between him and CPM top leadership for which he left the party in 2000 on ideological grounds. He later floated PDS and remained its state head. Saifuddin Choudhury was close to the grass roots and had raised several fundamental questions while Jyoti Basu was the CM in Bengal. He was a student leader but also argued for the farmers and had raised questions how CPM was being drifted away from the farmers.

Choudhury was a logical speaker and had always wanted to form a Left unity forum though he had even delivered speeches from Mamata Banerjee’s platform while Mamata was on her 26-day hunger strike. Choudhury would often criticize CPM leaders for their involvement in unethical practices and he refused to accept them as his party comrade and for which he snapped ties with CPM.

There were proposals to bring him back to CPM, but ultimately that did not happen.

He will be cremated at Memari, his village in Burdwan on Tuesday.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> India / by Debashis Konar, TNN / September 15th, 2014

Home boy returns to script tale of twilight city

Kolkata :

You can check out anytime you like, but you can never leave. For author KunalBasu, Kolkata is twilight zone. A city of Bengalis, you say? Less than 50% if you look at the population, points out the Oxford academician. Basu, whose short story collection ‘The Japanese Wife’ was adapted for the screen by Aparna Sen, is in town, taking a break three weeks after finishing his latest novel. He has turned down six invitations to attend literary festivals across the world, so guarded he is about his newborn. But TOI on Friday caught up with him at his 29th floor apartment and got a birds-eye view of the story.

“This will ruffle feathers,” the author warns. “But if it doesn’t, I’ll consider the novel to be a failure,” he concedes. Basu’s latest is a no-nonsense account of Kolkata seen through the eyes of a migrant gigolo. The plot touches upon the 2011 Bengal election, intellectuals switching sides at the drop of a hat, Kolkata as a terror transit point, rigging and more – but don’t expect the good old Park Street days with a sepia tint, or nostalgia about Tagore, Ray and Ravi Shankar. Instead, be prepared for a stinging study on the “highly educated Bengali intellectual class”.

Like a pucca Kolkatan, Basu loves the city as much as he despises it. “Some authors write books on Kolkata with detachment. I have held nothing back. When people think of Kolkata, they think of a city of Bengalis. But the city has less than 50% Bengali population. While writing, we screen out the majority, in that case. Of that Bengali population, we only consider the ‘intellectuals’. That is a niche. My story is how a Bihari Muslim struggles to survive here and how the two worlds collide,” he narrates.

But how does the 2011 assembly polls and rigging feature in the plot? “That election ushered in the much-touted ‘poriborton’. This transformation deeply affects all citizens, as no Kolkatan can live oblivious to the political environment. It so happens that on the day of the poll verdict, May 13, a cataclysmic event changes the protagonist’s life,” the author says.

He hasn’t demonized anyone in the novel, he clarifies. “Many writers make Indians look like fools. I have the good, bad and ugly in the story but I haven’t denied them their humanity. Most Western writers portray Indian cities based on stereotypes. I’m an insider, a thoroughbred Kolkatan. My grandfather Bhupendra Nath Bose has an avenue named after him. He was the first president of Mohun Bagan club and a vice-chancellor of Calcutta University,” says Basu, who taught at Jadavpur University and IIM-Calcutta.

But why a gigolo as the protagonist, one would ask. “I never dreamed that I’d write about male sex workers. Gigolos look at Kolkata through a different lens. Even those born and brought up in the city go to places unknown to masses. They meet people and see sides and shades of the city not seen by us. The protagonist is a Bihari Muslim, whose family migrated from Bangladesh. The plot follows how he negotiates the currents of contemporary complexities,” he explains. And why not. In Suketu Mehta’s ‘Maximum City’, bar dancers play a pivotal role, while it’s the same with transgenders, or ‘hijras’, in William Dalrymple’s ‘City of Djinns’.

The book will hit the stands later next year, published by Pan Macmillan in India. But many readers would be angry, he predicts. “Like Syed Muztaba Ali and Nirad C Chaudhuri’s works, there are several observations about this breed called ‘highly educated intellectual Bengali’. For example, a Bengali friend advices the protagonist that to be a ‘Kalkattan’, one must presume to know everything and accept gossip as the truth without verification,” he says, tongue firmly in cheek.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Kolkata / by Shounak Ghosal, TNN / September 14th, 2014

Nazrulgeeti legend passes away

Kolkata :

Nazrulgeeti exponent Firoza Begum, who was to be honoured with ‘Banga Bibhushan’ by the state government later this month, passed away in Dhaka on Tuesday evening. The 84-year-old was suffering from heart and kidney disease.

“She breathed her last around 8.15pm,” Bangladeshi media reports said. She had been undergoing treatment at the ICU of a private hospital. She was fitted with a pacemaker on Monday.

Mamata Banerjee grieved on social media as the news reached her on Tuesday night. “I am very sad to learn that the legendary Firoza Begum has just breathed her last. Her passing away will certainly create a huge void in the world of music and culture,” she posted.

The CM said her government had planned to confer the state’s highest civilian honour on her. “We had decided to honour her with ‘Banga Bibhusan’. She had also agreed to come to Kolkata to receive the award. But, now it’s all over,” she mourned.

Mamata recounted her last interaction with the legend by saying: “Hardly 10 days ago, we talked to each other. To me, her passing away is indeed a great personal loss. She used to treat me as a member of her family. On the last occasion of our meeting, she told me: ‘Ar ki dekha hobe? (Will we meet again?)’ Today, these words keep ringing in my ears,” the chief minister said.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Kolkata / TNN / September 10th, 2014

Jewish past, digital present

A digital museum on the Jews of Calcutta is ready to go online on Monday after two years in the making.

“The archive documents the Jewish community’s contributions to Calcutta and celebrates the city where they thrived. It has taken me more than two years to curate this archive. I’m still fine-tuning it before the launch at Victoria Memorial on September 1 and have got wonderful feedback from community members across the world,” said Jael Silliman, a former women’s studies teacher at the University of Iowa and one of the members of the dwindling community in the city.

The website is a storehouse of information about Jews in Calcutta.

The community has dwindled from 6,000-plus members in its heyday to barely 20 people — mostly elderly — at present.

There hasn’t been a Jewish girl in the Jewish Girls School for about 40 years.

The Telegraph had reported last September how the community needed to include Israeli ambassador to India, Alon Ushpiz, who was visiting the city along with five other Jews, to achieve the “minyan” or quorum of 10 men needed for a formal service to celebrate Simhat Torah at Magen David Synagogue in Calcutta. It could not be held for 25 years because the community was not able to line up 10 men needed for the service.

Jews in India have branched into three main streams after the first batch arrived from West Asia in the late 18th century: the Bene-Israel (meaning Children of Israel), the Cochin Jews who prospered along the Malabar coast and Baghdadi Jews, who settled mostly in Calcutta and Mumbai.

Calcutta’s Jewish community members at the Viceroy’s Cup racing derby in 1937
Calcutta’s Jewish community members at the Viceroy’s Cup racing derby in 1937
A guide to the races
A guide to the races

The archive’s film section includes an audio-visual documentary of Jewish elders Cyril Cohen and Aaron Harazi, who passed away recently, speaking at length about their schooldays and work in Calcutta. The section offers a virtual tour of the Magen David on Canning Street and Beth El on Pollock Street — two synagogues no longer in use.

In a clip from the racecourse, Elijah Twena, an avid racer, gives an insight into the favourite pastime of Calcutta Jews.

A geniza at the Narkeldanga cemetery
A geniza at the Narkeldanga cemetery

Another section talks about Jewish cemeteries in Calcutta, especially the ones at Narkeldanga.

Legend has it that the first Jewish burial ground — at 45, Narkeldanga Main Road — was “born” when Shalome Cohen, the first settler, decided to buy a plot of land for a cemetery and went about asking his friends and business associates for a suitable place. A Bengali business associate took him to a paddy field on the outskirts of Calcutta and asked if that would do.

Graves of Jewish people at 45, Narkeldanga Main Road
Graves of Jewish people at 45, Narkeldanga Main Road

Shalome was delighted and told him to quote a price. The gentleman declined and offered to give the plot for free. But Shalome insisted that he must pay because the site would be used for religious purposes. The gentleman reluctantly agreed to accept “whatever Shalome wishes to give”. The settler pulled a gold ring out of a finger, gave it to the landowner and sealed the transaction.

It is assumed that Moses de Pas, an emissary from Safad, now in Israel, was the first Jew to be buried in Calcutta cemetery for the community in 1812. His grave is no longer traceable. The cemetery has a geniza too for storing worn-out Hebrew-language religious books and papers. A small private cemetery was opened in the 1870s, and closed after 20 years or so, half a mile from the main cemetery.

Other sections include maps of Jewish Calcutta, a film gallery, community portraits, music of the community recorded from Rivers of Babylon, war years and military service and their impact on the community.

The museum project is led by Jael Silliman, a former women’s studies teacher at the University of Iowa, and assisted by Amlan Dasgupta, professor at Jadavpur University. “Some of the speakers at the launch will be Amlan Dasgupta, Adam Grotsky of USIEF and Jo Cohen, who will talk about the life Jews made for themselves in the city,” said Silliman, an author of two books, The Man with Many Hats (2013) and Jewish Portraits, Indian Frames: Women’s Narratives from a Diaspora of Hope (2001).

“We’re happy to be associated with the project. It has been quite a journey and a very fruitful one. Our students have worked untiringly for the project. We’re also considering housing the material at the School of Cultural Texts and Records, Jadavpur University,” said Dasgupta.

source: http://www.telegraphindia.com / The Telegraph, Calcutta / Front Page> Calcutta> Story / by Showli Chakraborty / Monday – September 01sr, 2014

Astor revives its British heritage

Kolkata:

Gallops of horses then, dollops of history now.

Another feather will shortly be added to the city’s heritage hospitality industry as Astor Hotel opens its doors for guests.

Housed in a building that was a British barracks about a century ago, the hotel has retained the rooms of mismatching size and shape, and ironed out the colonial wrinkles with the precision of 21st Century.

“In its 120-odd years of existence, the interiors of the building never complemented its grand facade. Be it the electrical or plumbing system, it was a completely unplanned structure. A thumb-rule in construction is that a poorly-maintained building must be brought down and built over every 70-80 years,” said the hotel’s proprietor Vikram Puri.

“But with the help of the members of the heritage commission and a team from Delhi that specializes in restoring old havelis of Rajasthan, we managed to preserve the heritage elements of the building.”

Puri said the building used to be a British boarding house where soldiers would come riding on their horses and walk up the stairs to take rest in their rooms.

“What used to be the stable is now a lounge bar called Plush. We restored the same teak staircase the armymen walked up, instead of turning it into an elevator shaft. We retained the rooms with their mismatched dimensions, which gave us perfect material for a boutique hotel. A modern hotel resembles a block diagram, but here every room has a different character,” Puri said.

The guests here will use the same rooms that were once occupied by the army personnel of the imperialists, but the rooms have been fitted with modern facilities such as a big-screen television and air-conditioning.

“The main corridor of the hotel has a distinct Victorian look. But, we will adorn the walls with paintings and photographs of a century-old Kolkata,” Puri added.

To bring down carbon footprint, the hotel has done away with split air-conditioners and geysers and installed central systems. The corridor is not chilled but cool.

“This is not air-conditioned but filled with treated fresh air,” said a member of the hotel’s staff.

High ceiling, a four-poster bed and sepia-tainted lights give the suites the ambience of an era gone by. But water sprinklers, smoke detectors and Wi-Fi devices are a constant reminder of 2014.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Kolkata / by Shounak Ghosal / September 12th, 2014

Book club boost to Bengali literature

Kolkata :

What if you had to read a Kakababu or Feluda story and get marks for reviewing it as part of a test in school?

Reading habit in Bengali is on a sharp decline for several years now and cinema has become the driving force behind book sales, especially when it comes to children. To stem this dip, Birla High School has come up with an innovative strategy — students can opt for a Bengali literature club as part of the curriculum. The last period is dedicated to a session of script-writing, reading, voice modulation, recitation and reviewing of stories, all in Bengali. And yes, they get marks for it too.

“If we didn’t have this strategy, we would lose the handful students who still have reading habits in Bengali. But students today don’t have the energy or time to explore the world of Bengali literature. So we made it part of the curriculum. Students can opt to join a club — Bengali, photography or something else — and they have responded positively to the book club. Even students, whose mother tongue isn’t Bengali, are opting for Bengali as the second language and joining the club. We have a junior section and the senior one is from Classes VI-X,” said Mandira Banerjee, a Bengali teacher.

Earlier, the clamour for special Puja editions of magazines used to start over a month ahead of the festival. But those days are long gone. College Street booksellers say whereas earlier individuals bought multiple copies to send to relatives and friends based out of the state, now the demand is at an all-time low. “But to ensure that students don’t miss out on the fun and flavour of Pujabarshiki issues, we give out copies and evaluate students based on their reviews,” added Joyita Basu of the Bengali department.

Saswat Banerjee, a Class IX student, said: “I’ve been a member of the club since Class VI. Here we are trained in drama, extempore, enunciation and summarizing stories in Bengali. We are also encouraged to write stories in Bengali.” However, the teenager admitted that since the last few years, the culture of exchanging Bengali books with classmates has gone down sharply.

The cast and director of ‘Gogoler Kirti’, a film based on the Samaresh Basu-created child sleuth, were present at a discussion at the school on Monday. Singer Paroma Banerji, who anchored the show, said: “The habit of reading Bengali books is dying. As parents, it is our duty to ensure our children don’t miss out on the books we grew up reading. We have now veered towards audio-visual over text. But cinema is a totally different medium. It can’t reproduce the exact story and a lot of improvisations are added to the script. Similarly, just because you know the story doesn’t mean you should avoid reading the original story.”

Actress Shakuntala Barua rued that the days when children would badger grandmothers for stories were gone. “For children, cinema is the easier option. But I’ve ensured my grandson develops a love for Bengali books by reading out to him and making him part of the storytelling sessions.”

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Kolkata / TNN / September 09th, 2014

Special 40

Pictures by Arnab Mondal
Pictures by Arnab Mondal

Students of Manovikas Kendra perform at a programme to mark 40 years of the organisation, at Science City auditorium on Thursday.

From tiny tots to students of vocational units, some of them on wheelchairs, everyone joined the celebration.

Sharada Fatehpuria, the founder- director of Manovikas Kendra, turned nostalgic as she remembered the first day of the institute. “It was January 28, 1974, and Saraswati Puja was being celebrated in the foyer of Gyan Manch at Abhinav Bharati High School.

The journey began with two children in one room and today Manovikas Kendra is spread over an acre and it is full of wonderful children who are studying and playing with 160 dedicated personnel,” she said.

Education minister (below) Partha Chatterjee was the chief guest on the occasion.

Pictures by Arnab Mondal
Pictures by Arnab Mondal

source: http://www.telegraphindia.com / The Telegraph, Calcutta / Front Page> Calcutta> Story / Friday – September 05th, 2014

On song, 3G of Uthup women – Usha rocks with daughter Anjali and grandchild Ayesha

UshaUthupKOLKATA09sept2014

ANJALI KURIAN: daughter. She stays in Kochi and works as a radio jockey
USHA UTHUP: the one and only, performs at the CC&FC on Sunday evening
AYESHA JOHN: granddaughter. Called “the boss” of 3G, the Uthup band, the teen is training in vocals in Kochi.
Picture by Arnab Mandal

Uthup 3G jammed for the first time together in Calcutta as Usha Uthup took the stage at the CC&FC on Sunday evening with daughter Anjali Kurian and granddaughter Ayesha John.

If love, laughter and a lot of music keep the three generations — 3G — of Uthup women in concert with each other, they bonded as a band at the INK conference in Kochi a year ago. “When Amma was invited to INK to talk about how her music cuts across boundaries, Ayesha suggested she sings Shine Like A Diamond and Tumhi ho and Amma suggested we join her,” beamed Anjali.

“After a standing ovation at INK, we were invited to perform at GIMA. From there we went to Jaipur and London,” she said.

The Shine Like A Diamond and Tumhi ho mash-up is now a staple at every 3G show, including the one at the CC&FC.

“I don’t know how to explain what I’m feeling. It’s so sentimental today. I feel nostalgic. Everything good and beautiful happened from here in Calcutta. And its extraordinary and historical for us three generations singing here today,” said Usha before belting out old favourites from her Trinca’s days.

Her voice still holding strong as she sang I Believe In Music, Fever and the Bond number Skyfall, she called her “beautiful girls” Anjali and Ayesha to join in.

The crowd clapped, tapped and cheered as the Uthup trio sang Malaika, Oh Carol, La Bamba, I Will Survive, one after the other in perfect harmony.

Usha had a message for her 14-year-old granddaughter: “Remember, this is the most difficult audience to please and if they say yes, 45 years guaranteed.” The crowd applauded even more.

When Metro caught up with 3G on the sidelines, they spoke about how the three inspire one another. “I told my mother everything that girls couldn’t think of telling their mothers and Ayesha too does the same. We always know everything about each other,” said Anjali who lives in Kochi.

Usha described Anjali as somebody similar to herself in terms of “vocal quality and joie de vivre on stage”.

Ayesha, she felt, is different. “She has a huge range, a different timbre and sings old songs with as much ease as the new ones,” said the proud granny.

Anjali couldn’t help gloat over her mom and being the 3G go-between. “Some people excel in cooking or stitching, she excelled as a singer and inspired me to be a good human being. I’m happy being an RJ and dancing but since I seemed to be the missing link between my daughter and my mother I decided to join in and have fun singing.”

Ayesha, the older two agreed, is the “more serious singer” and also “the boss”. “We don’t do it because we are good at it but because we like it,” the junior-most Uthup said with authority.

“To me, she’s a grandmother who cooks, cleans and feeds me and, by the way, sings as well,” laughed Ayesha.

But then, she isn’t the typical grandmother either as she rocks her way through life post-60. “Sometimes we forget our age. She didn’t want me to call her ammachi, naani or daadi. She said, ‘Call me anything, even coconut tree if you want’.” Ayesha calls her umbukka, just a word she coined.

Park Street holds a special place in all the three hearts that beat inside 3G. Anjali exclaimed: “Thank god for Park Street, otherwise my parents wouldn’t have met and I wouldn’t have been born.”

Ayesha, training in vocals in Kochi, is yet to pay a visit to Trinca’s where her grandmother started her music. “She is the one who made me fall in love with singing… so Trinca’s is a must-visit.”

Retiring club CEO Deepankar Nandi said: “What a wonderful evening and such a great parting gift for me. Apart from being a very old club member and a brilliant performer, Usha is my favourite. The added bonus was the performance by Anjali and Ayesha.”

source: http://www.telegraphindia.com / The Telegraph, Calcutta / Front Page> Calcutta> Story / Tuesday – September 09th, 2014