Monthly Archives: September 2014

When Mahatma saved Netaji’s revolutionaries from gallows

Mahatma Gandhi wrote seven letters to the then Viceroy of India after wife of revolutionary Haridas Mitra approached him. Haridas Mitra is the father of West Bengal Finance Minister Amit Mitra. (archive)
Mahatma Gandhi wrote seven letters to the then Viceroy of India after wife of revolutionary Haridas Mitra approached him. Haridas Mitra is the father of West Bengal Finance Minister Amit Mitra. (archive)

Mahatma Gandhi wrote seven letters to the then Viceroy of India, Lord Wavell, to commute the death sentence, and subsequently get released four young revolutionaries who were held guilty by the British of supplying information to Netaji Subhas Chandra Bose’s Indian National Army (INA).

The startling historical fact is just on of the many mentioned in the jail diary of freedom fighter Jyotish Basu who died in 2000. The diary has been compiled by renowned researcher Pallab Mitra in the form of a book —- ‘Phansi Theke Phire’ (Back from the Gallows) – and details the last few days of Basu at Presidency Jail where he was brought back from the gallows, just a minute before he was to be hanged.

The four revolutionaries for whom Gandhi sought clemency were Jyotish Basu, Amar Singh Gill, Pabitra Roy and Haridas Mitra. Haridas Mitra is the father of West Bengal Finance Minister Amit Mitra, and his wife Bela was the niece of Netaji.

All four were released in July-Agust 1946. While not much is known about the later life of Gill and Roy, Mitra joined Congress and later became the deputy Speaker of West Bengal Assembly. Basu spent his life in various social and cultural activities and died in 2000, at the age of 92.

As per the historians, the only known case when Mahatma Gandhi urged the British to commute the death sentence was for Bhagat Singh. The freedom fighter was ultimately hanged on March 23, 1931. “As far as we know it was in the case of Bhagat Singh that Gandhiji intervened,” says Sabyasachi Bhattacharya, historian and former chairman of Indian Council for Historical Research.

It was Jyotish Basu’s residence at 6A, Bipin Paul Road in Kolkata that the revolutionaries, then part of INA’s Secret Service, set up a communication centre. It was from this house that Basu was arrested on December 31, 1944 while other three were taken into custody some time later.

After a trial that lasted a few months, all four, lodged in Presidency Jail in Kolkata, were sentenced to death.

The book details the fearlessness of the revolutionaries. Asked if they had any last wish before they were hanged, Gill said he wanted to watched a dance recital by Sadhana Bose, while Basu said he wanted to hear Kanan Devi’s songs.

Bela Mitra, then 22, wife of Haridas Mitra, meanwhile, went to Poona and pleaded with Gandhiji to write to the Viceroy requesting for the release, or if that was not possible, commuting of sentence of all the four. A few days later, Basu’s father Ranjan Bilas Bose too met Gandhiji with the same request.

Gandhiji wrote seven letters requesting for release of first Haridas, and then the three others. All these letters have been kept at National Library, Kolkata.

In his first letter, dated September 14, 1945 and sent from Poona, Gandhiji wrote: “Shri Haridas Mitra, an MA of the Calcutta University, and the husband of Shri Subhas Chandra Bose’s young niece, age 22 years, is under sentence of death over what appears to be on untenable ground. I have perused the petition for mercy by the uncle of the condemned as also Advocate Carden Noad. I suggest that they furnish cogent grounds for exercise of mercy. In any event, the case for mercy becomes irresistible in that the war with Japan is over. It will be political error of the first magnitude if this sentence of death is carried into effect”.

“…My attention was drawn to the case by the prisoner’s wife as she has often sung at my prayer meetings when I had the honour of being a guest of advocate Sarat Chandra Bose (elder brother of Subhas Bose) who I am happy to learn from the government of India has ordered to be released”.

It was about five years ago that Jyotish Basu’s daughter told Pallab Mitra about the diary. “I consulted historians Amalendu Dey and Basudeb Chattopadhyay and then I got to know about Gandhiji’s letters. It was a wonderful revelation that because of his intervention four precious lives were saved from the gallows,” says Pallab Mitra.

Repeated calls and text messages to minister Amit Mitra failed to elicit any response.

source: http://www.indianexpress.com / The Indian Express / Home> Cities> Kolkata / by Sabyasachi Bandopadhyay, Kolkata / September 15th, 2014

Celebrating Puja in true spirit and ethos, dozen years on – 70-plus new clubs join cause

Actress Tanusree, who was a judge of the CESC The Telegraph True Spirit Puja 2013, at a pandal
Actress Tanusree, who was a judge of the CESC The Telegraph True Spirit Puja 2013, at a pandal

More than 70 new puja organisers with varied age, budget and popularity quotients have joined a movement that is dozen years old, has 300 members and growing — the CESC The Telegraph True Spirit Puja.

In the true spirit of the movement for a safe, clean and people-friendly festival, the newcomers — from 10-year-old pujas to seasoned 44-year-olds — received their induction briefing at Spring Club on Saturday.

“The CESC The Telegraph True Spirit Puja is not about big idols or big pandals but something else. It is about whether you are environment-friendly or not, whether you are taking care of the pandal-hoppers or not, whether you have taken proper steps for their safety or not,” said Arijit Basu, the deputy general manager for customer relations of CESC, at the first club meet.

The movement started in 2003 with around 70 puja clubs and committees, swelling to 300 participating members in over a decade. The CESC The Telegraph True Spirit Puja judges pandals on three broad parameters:

n Safety measures top the list. Judges look into the organisers’ efficiency in crowd management and their capability in handling crisis situations, availability of first-aid, presence of fire safety measures and more.

n Civic consciousness comes next. Are the pandals following sound pollution norms? Are they eco-friendly? Is their waste disposal system efficient? Are they retaining or restoring public property in the locality?

n Social commitment of the organisers is the final category. Do the pandals have help desks to assist pandal-hoppers and how efficiently are these being managed? What facilities do they offer to people with special needs, like someone on a wheelchair or senior citizens? Do they have toilets and drinking water taps? Are the organisers committed to charity and community engagement?

The Model Puja award goes to the best pandal after two rigorous rounds of judging. A Viewers’ Choice Award has been added this year where pandals with the highest upvotes on the CESC Facebook page will get the trophy.

According to some of the new entrants, the best thing about the movement is that the CESC The Telegraph True Spirit Puja is not about big budgets but encouragement it offers to homely and small-scale pujas, such as the Dakhineswar Adi Sarbojanin Durgotsav O Dol Utsav Samity — in its 75th years this season.

“We don’t have a theme and we cannot compete with the grandeur of other pujas but we are committed to the spirit of the festival and we care about all those who drop in. Everyone is a VIP for us. The awareness this movement is creating is necessary and we fit into the spirit of it,” said Tarashankar Pramanik, the vice-president of the organisation.

Others have other reasons like civic and environmental aspects. For 21-year-old Sankha Ghosh and 18-year-old Ankit Saha of Pallibasi Durgotsav Committee in north Calcutta, the biggest draws are the issues the movement espouses.

“This is the first year our generation has taken the reins of the 44-year-old puja. We felt the need to participate in a movement like this. If we don’t take things like sound pollution, eco-friendliness and social commitment seriously, what will we leave for the next generation?” asked Sankha.

“Ours is a small puja, very homely… but it is the heart of it that counts, not the budget or the popularity,” added Ankit.

source: http://www.telegraphindia.com / The Telegraph, Calcutta / Front Page> Calcutta> Story / Monday – September 22nd, 2014

Reasons to pick adoption

Kajal and Anirban Banerjee at the Rotary Sadan programme on Sunday. / Picture by Arnab Mondal
Kajal and Anirban Banerjee at the Rotary Sadan programme on Sunday. / Picture by Arnab Mondal

An adoption agency had turned him away. “Are you blind?” an official had asked him as he entered the office with his wife. He was blind and was supported by his stick. “No child wants to have a blind father,” he was told. He left. He felt that though gifted with eyes, the officials couldn’t see.

Later, encouraged by a well-known social worker, he adopted a girl from another agency. Today he and his wife are very proud parents.

“It was the best decision of my life,” said the gentleman.

As it rained hard outside, Rotary Sadan on Sunday morning heard a number of heart-warming stories.

Adoptive parent Indrajyoti Sengupta read poems he had written on adoption. Kajal and Anirban Banerjee, who have an adopted daughter, regaled the audience with their stories. These parents were only happy that they had gone ahead, despite obstacles, inhibitions and apprehensions, and taken the step of adopting a child.

The occasion was “Lifeline”, an event organised by Rotary Club of Calcutta Renaissance, with Round Table India and Ladies Circle, two Rotary wings, to promote adoption. It was an open forum that brought together couples who have adopted children, couples who are contemplating adoption, representatives of adoption agencies and government organisations.

Round Table India national president Deepak Menda spoke about how the organisation in the last 17 years had built 1,700 schools in the country and helped with the education of 5.3 million children.

Lifeline is a recent initiative, he said, to advocate adoption, the need of the hour.

Adoption is a far better option than a long period of infertility treatment that can cause inconvenience and cost a lot of money, a Rotary official said.

The event also saw the launch of the website www.adoptionlifeline.in by the organisers.

Adoption can be a beautiful experience, but as many adoptive parents and prospective ones will attest, the process is not always easy. It is complex and there are inordinate delays.

The website, which people can access shortly, is meant to be an interface between prospective adoptive parents, adoption agencies and government agencies to facilitate more adoption, beside being a network for adoptive parents.

source: http://www.telegraphindia.com / The Telegraph, Calcutta / Front Page> Calcutta> Story / by Chandrima Bhattacharya / Monday – September 22nd, 2014

INCHEON ASIAN GAMES 2014 – Saurav Ghosal settles for silver in men’s squash

Saurav Ghosal on Monday outplayed 35th-ranked Beng Hee of Malaysia to enter the finals of men's squash event. / PTI
Saurav Ghosal on Monday outplayed 35th-ranked Beng Hee of Malaysia to enter the finals of men’s squash event. / PTI

Loses title clash to Kuwait’s Abdullah Almezayen, narrowly misses out on becoming the first Indian squash gold winner in Asian Games.

Saurav Ghosal on Tuesday squandered a two-game advantage to narrowly miss out on becoming the first Indian squash player to win the gold medal at the Asian Games.

Ghosal was leading after the first two games of the gold-medal match but his opponent, Kuwait’s Abdullah Almezayen, staged a dramatic fightback winning the next three games to clinch the top prize.

Almezayen won the title clash 10-12 2-11 14-12 11-8 11-9 at the Yeorumul Squash Courts. The Indian missed out on a gold-medal point with the scoreline reading 12-11 in the third game, which eventually proved to be the decisive game.

Ghosal took 21 minutes to take the first game before consolidating his position by clinching the second in merely six minutes of play. The Kuwaiti squash player then made a grand fightback as he took 19, 12 and 17 minutes respectively to win the next three games.

Prior to this, the 28-year-old Ghosal had three Asian Games medals to his name – singles bronze in 2006 Doha Games and two more, including one in doubles, in the 2010 edition in Guangzhou.

source: http://www.thehindu.com / The Hindu / Home> Sport> Other Sports / PTI / Incheon – September 23rd, 2014

Kolkata loses its favourite raconteur

Kolkata :

The morning durbars under the portico of the delightfully eccentric Fairlawn Hotel on Sudder Street have just become history. The ‘Duchess of Sudder Street’, as Vi (Violet) Smith was popularly called, will not be holding ‘court’ there anymore. And legions of her fans, as well as the galaxy of loyal customers of her hotel, will no longer be regaled by her stories about the Kolkata of yore. Smith passed away at her first-floor quarters of Fairlawn Hotel on Saturday at an age of 93.

The stories she narrated were as eclectic as her personality, and the hotel itself. One of her favourites was how Shashi Kapoor (“drop-dead gorgeous he was,” recalled Vi) met and fell in love with Jennifer Kendall. In the spring of 1965, the Kendals, who used to own a mobile theatre company called ‘Shakespeareana’, were putting up at Fairlawn and Prithvi Theatre (owned by Shashi’s father Prithviraj Kapoor) also happened to staging shows at New Empire at the same time. Jennifer had gone to watch a show there and it was “love at first sight” for Shashi, who courted Jennifer, joined ‘Shakespeareana’ and eloped with her to Bombay to get married after her father Geoffrey refused permission for marriage. The couple spent their honeymoon in Room No 17 of Fairlawn, and Vi named it ‘The Shashi Kapoor Room’.

Vi was also very fond of telling visitors about Patrick Swayze who stayed at the Fairlawn while shooting for ‘The City Of Joy’ in 1991. “He was very nice and soft-spoken. He had told me about the ranches he owned in California and New Mexico, about his wife Lisa and his childhood,” the coiffed and elaborately made-up Vi told this correspondent a couple of years ago. She was also an encyclopedia on the Calcutta of the glorious past.

Violet Smith was an Armenian whose grandfather escaped the genocide of the Armenians by the Ottomans in Turkey in 1915 and reached India through Iran and Afghanistan. Violet married Edward Frederick Smith, a British army officer, in 1944 and moved to England later, but returned in 1962 to take over the affairs of Fairlawn. Violet’s mother Rosie Sarkies had bought the property from two British ladies in 1936. The sprawling structure that houses the hotel is 231 years old now, having been constructed by one William Ford in 1783.

Vi lent her personality to the hotel she dearly loved. Stepping in through the iron gates of the hotel is like entering a green oasis set amidst the bustle of the city. A profusion of plants, mostly palms, provides an immediate soothing experience and leads to the portico where, every morning, the redoubtable Violet used to hold court. Not just the abundance of potted plants, the colour of the walls, linen, wicker and cane chairs, settees and stools, many of the draperies and even some of the crockery are green or have splashes of it. It’s Violet’s favourite colour. “Green symbolizes freshness, vibrancy and reminds one of nature,” she used to say.

Other regular guests at Fairlawn that Vi would often talk about were filmmakers Ismail Merchant and James Ivory, actors Melvyn Douglas, Penelope Cruz, Julie Christie, Felicity Kendal (Jennifer Kapoor’s sister) and Om Puri, writers Gunter Grass, Eric Newby, Dominique Lapierre, Ian Hislop and Glen Balfour-Paul, British playwright Tom Stoppard, TV presenters Dan Cruikshank and Clive Anderson, and even Gordon Matthew Thomas Sumner (Sting, for the uninformed)!

And all have paid glowing tributes to the hotel and its wonderfully charming owner Violet Smith. Lapierre went to the extent of wishing he loses his passport when he stays at Fairlawn the next time so that he can stay on at the hotel forever. Newby calls Fairlawn his “most favourite hotel”. Vi would often say her motto was to “receive tourists as guests and send them away as friends”. For her innumerable friends all over the world, Fairlawn, and Kolkata, will never be the same without Vi.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> Cities> Kolkata / by Jaideep Mazumdar, TNN / September 22nd, 2014

The Husain on the wall

The wall of the Azad Hind Dhaba in Kolkata adorned with M.F. Husain’s Gaja Gamini. Photo: SUSHANTA PATRONOBISH
The wall of the Azad Hind Dhaba in Kolkata adorned with M.F. Husain’s Gaja Gamini. Photo: SUSHANTA PATRONOBISH

The now-famous painting, titled Gaja Gamini (one with a walk like an elephant), depicts a dancing woman, in a bright red background, while a white elephant looks on with its trunk held aloft

The memory of seeing M.F. Husain colouring one of his sketches back in 1999 is still fresh in the mind of Madan Sharma, one of the owners of Azad Hind Dhaba, a popular eatery in south Kolkata.

One fine afternoon years back, Mr. Husain walked into the dhaba, which he frequented during his visits here, and all of a sudden started adding colour to the black and white sketch on the wall that he had drawn three years before.

“The experience made me speechless,” Mr. Sharma said, on the eve of the 99th birth anniversary of the iconic painter.

The now-famous painting, titled Gaja Gamini (one with a walk like an elephant), depicts a dancing woman, in a bright red background, while a white elephant looks on with its trunk held aloft. Mr. Husain arranged a private show of his film Gaja Gamini at Azad Hind in 1999.

Sitting at the cash counter with the painting behind him, Mr. Sharma fondly recalled his memories of the famous artist. He remembers Mr. Husain as a “moody and humble person” who would come to the restaurant and sit quietly in one corner sipping his favourite “kadak chai [strong tea].”

“He did not talk much. But sometimes told me what kind of food he wants,” Mr. Sharma said. He was initially apprehensive of talking to an artist of Mr. Husain’s calibre, but eventually they became friends. “Mr. Husain could mingle with adults and children with equal ease. He was totally devoid of arrogance.” Whenever schoolchildren spotted him at the eatery, they flocked to him and asked for autographs. The world-famous painter complied with their demands with a smile and even drew them impromptu sketches.

When asked about the controversy that erupted in 2006 over Mr. Husain’s depiction of Hindu gods and goddesses, Mr. Sharma said the thought of removing the painting never entered his mind. “Nobody asked me to remove the painting even when the controversy erupted.”

Mr. Husain eventually had to leave the country under pressure from Hindu nationalist forces. He passed away in London in August 2011.

Meanwhile, the dancing woman with an elephant walk lives on happily on the central wall of Azad Hind Dhaba, in the company of numerous Hindu gods and goddesses.

source: http://www.thehindu.com / The Hindu / Home> Features> Friday Review> Art / by Soumya Das / Kolkata – September 17th, 2014

Oldest toy train chugs through British garden

London :

The ‘toy train’ chugging up a serpentine track through the Darjeeling hills is almost an image out of a fairy tale. But for Adrian Shooter the first look at the scene triggered a life-long love story that made him buy an entire locomotive to run in his London garden.

The world’s oldest surviving Darjeeling-Himalayan Railway (DHR) locomotive is back on track, thanks to Shooter. Smitten by the magic of a ride on the DHR (now an Unesco world heritage property) a decade and a half ago, Shooter, who retired as chairman of Chiltern Railways, bought the DHR locomotive — model number 778 — built in 1889 by Sharp Stewart and Company, Manchester, to restore it to perfect
condition.

The Indian government had sold the locomotive to Hesston Steam Museum in 1960, not realizing what its worth would be 50 years later when it was declared a world heritage by Unesco.

Shooter has also bought an Ambassador that runs by the train when it chugs through his garden to give it a feel of being in Darjeeling. He shipped the locomotive in a container from US to the steam rail workshop in Tyseley, Birmingham, where he restored it. The tracks laid in his garden over 1.5km is in the form of a loop just like in Darjeeling.

He has also built a station that looks exactly like the original Sukna station, besides laying a pathway that crosses over the tracks, exactly the way it is in Darjeeling.

In an exclusive interview to TOI, Shooter said “I bought the locomotive from the museum in Indiana, US, in 2002. It had been bought by a private individual, Mr Donnelley in 1960. He died in 1975 and it passed on to the museum after that. He was the boss and major shareholder in R R Donnelley Co, which is a very large printer and publisher in Chicago.”

He added, “I have several volunteers who help me operate the loco and we give rides to invited guests. We usually have 100-150 and do this three or four times a year. The loco is fully functional and is in excellent condition. Last winter it had a 10-year overhaul when, by law, the boiler has to be taken off the chassis, carefully examined and repaired as necessary.”

“The loco still has the original 1889 boiler and is, by at least 50 years, the oldest loco boiler in use in the UK. There are a couple of older ones in India. The reason that it has lasted so long is that it is made of wrought iron, which is much more corrosion-resistant than steel. It was obviously very well looked after during its 70-year use in India,” Shooter said.

Shooter will be in Delhi in February at the invitation of Mark Tully to speak at the Indian Steam Conference. He said, “Darjeeling Railway is very special because it climbs so high (over 7000 feet) through fantastic countryside with wonderful people. Many Britons had ancestors who lived, worked or visited Darjeeling. I still regularly come across people who went to school in Kurseong or Darjeeling. The engines themselves are of a sound design that have shown themselves to be more than capable on very steep and curvaceous railway tracks.”

Shooter, however, said he has no plans to return the locomotive to India. Britons will get a chance to ride on the train as it makes a special appearance at the North Pennines on September 26-28.

South Tynedale Railway at Alston is hosting Shooter’s train — Locomotive No. 19 — for an Indian-themed weekend of food, music and films. People will be able to ride on the train, dress like a local from Darjeeling and enjoy eastern Himalayan cuisine.

Locomotive No. 19 was withdrawn from the Darjeeling-Himalayan railway service in 1960 and, privately purchased, made its way to Indiana. In 2003, it was taken across the Atlantic to be restored by Tyseley Locomotive Works, Birmingham, for Shooter. At the same time, two replicas of DHR carriages were constructed at the Boston Lodge Works of the Ffestiniog Railway. These and the locomotive run in Adrian Shooter’s private garden railway.

India at present has 14 original DHR locomotives in working condition and 10 others on display at museums. Shooter’s train is the oldest of all DHR trains. Currently, only five DHR locomotives are privately owned, four of which are in Assam. The 778 is the only model outside India.

Indian railway expert Rajesh Agrawal said, “In the 1960s, India was getting rid of a large number of locomotives as we had more than we required. One such model was the 778. Nobody knew then that the DHR would become such a prized object. People also thought the 778 was not in working condition as it was 71 years old. A locomotive generally retires after 45 years.”

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Kolkata / by Kounteya Sinha, TNN / September 19th, 2014

IITians create solar-powered cold storage with no running cost

Kolkata:

Young IIT engineers have come up with an affordable solution to the wastage of agricultural produce by developing a unique solar-powered cold storage system which works at almost zero running cost.

Developed at the Science and Technology entrepreneurship Park (STEP) of IIT-Kharagpur by mechanical engineering student Vivek Pandey and his team, the micro cold storage system has been successfully tested in a Karnataka farmland.

“It is a first of its kind product developed anywhere in the world as there are no running costs for the farmer and works on clean and sustainable technology for all 12 months. We have even applied for four patents for technologies used in the product,” Pandey said.

Under the banner of Ecofrost Technologies, the young graduates are now ready to move out of the campus and start a manufacturing and assembly unit in Pune next month.

Using a uniquely designed thermal storage methodology that controls compartment cooling in tandem with regular cooling, micro cold storage helps increase the shelf life of agricultural produce using solar panels of 2.5 KW-3.5 KW.

“The power generated is sent directly on to the compressor which can run at various speeds to adjust itself to the cooling demand. Instead of batteries, the system has a thermal storage unit which can store power for more than 36 hours to provide power in case there is no sun during cloudy or rainy weather,” the young innovator said.

Existing solar-powered units run on batteries which need to be replaced after 2-3 years making the running cost very high for farmers. It is estimated that every year India loses around 30 per cent of food production due to wastage and contamination.

“We want to provide farm-level solar cold storages in areas that lack access to grid connected electricity. By increasing the shelf life of agriculture produce, it will improve farmers’ livelihood by reducing losses and allowing better price realisation,” Pandey said.

Meant for horticulture produce, the micro cold storage system has a capacity of 5 metric tonnes and a price varying between Rs 5 to 6 lakh.

“We have started getting orders and will start a manufacturing and assembly unit in Pune next month. We have a target to manufacture 20,000 such cold storage units in the next five years,” the IITian said, adding that they are looking to raise around Rs 5 crore from venture capitalists.

Their promising innovation has won the first prize of Rs 10 lakh in the national university competition ‘DuPont: The Power of Shunya’.

Besides selling directly to farmers, they are also trying to create village-level entrepreneurs who will act as nodal points for cold storage in mandis where any farmer can store his produce at a fixed cost.

source: http://www.ibnlive.in.com / IBN Live / Home> India / by Press Trust of India / Kolkata – September 18th, 2014

Kolkata dog is a finalist in PETA’s cutest indian dog alive contest

Kolkata :

After sifting through hundreds of photographs of lovable Indian “community dogs” – as well as their rescue stories — the judges finally selected Bhutu, whose guardian is Samarpita Sil a city resident, became the finalist in People for Ethical Treatment of Animals (PETA’s) third annual Cutest Indian Dog Alive contest.

Samarpita rescued and adopted Bhutu when she saw him sleeping on the roadside. “One rainy day, I saw a little dog. He was very weak and ill. … I took him home and now he is like my kid”, says Samarpita.

“Bhutu is a lucky dog, and he has returned the favour of being rescued by bringing much love and joy into Samarpita’s life”, said PETA CEO Poorva Joshipura. “All rescued dogs are already winners because their lives were saved by people who love them for who they are.”

The lucky pup will receive a “100% Desi Dog” doggie T-shirt, and his guardian will receive a “My Dog Is a Rescue” T-shirt, as well as an autographed copy of PETA India founder Ingrid Newkirk’s book The second- and third-place winners will also receive prizes, and all three top placers will appear in an upcoming issue of Animal Times, PETA India’s magazine for members.

source: http://www.timesofindia.indiatmes.com / The Times of India / Home> City> Kolkata / TNN / September 16th, 2014

An indentured worker’s journey

This new contribution to diaspora studies maps a woman’s tumultuous passage from India to West Indies

COOLIE WOMAN — The Odyssey of Indenture: Gaiutra Bahadur; Hachette Book Publishing India Pvt. Ltd., 4th & 5th Floors, Corporate Centre, Sector 44, Gurgaon-122003. Rs. 599.
COOLIE WOMAN — The Odyssey of Indenture: Gaiutra Bahadur; Hachette Book Publishing India Pvt. Ltd., 4th & 5th Floors, Corporate Centre, Sector 44, Gurgaon-122003. Rs. 599.

Usha V.T

Gaiutra Bahadur’s Coolie Woman is an attempt to recreate the journey of an indentured woman labourer — a woman from India —who travelled to the West Indies and eventually to the United States. Diaspora studies have often pointed out that a wide array of social and economic deprivations drove villagers from their homes to travel to faraway lands. And as this author reiterates, the practice of imperial capitalism destroyed traditional livelihoods, while at the same time colonialism created new routes for moving across the subcontinent, in several guises.

The author justifies the use of the term coolie , despite its derogatory connotations, at the very outset. In fact, she devotes a whole chapter to a discussion of the term and its use in the current context. “As it turns out, mystery darkened the lives of many women who left India as coolies. The hind of scandal was communal. Some historians have called indenture “ a new form of slavery,”

In many ways it was: once in the sugar colonies, coolies suffered under a repressive legal system that regularly convicted more than a fifth of them as criminals, subject to prison for mere labor violations, which were often the unjust allegations of exploitative overseers.”

What makes the work interesting is the autobiographical nature of the narrative. The protagonist is the author’s great grandmother Sujaria, whose life and adventures are the occasion to map the tumultuous journey of the woman from her home in India to the West Indies. With the help of historical records, legal documents and tales of indenture, Gaiutra Bahadur attempts to recreate her grandmother’s historic journey. She says: “What I found was a revelation. I once thought that my great grandmother must have been an exception .” And a little later we read: “In which category of recruit did my great grandmother fall? Who was she? Displaced peasant, run away wife, kidnap victim, Vaishnavite pilgrim or widow? Was she prostitute…”

The sexuality of the women and her exploitation in terms of her body both during the journey to the new land as well as in her survival in the land of her slavery through sexual negotiation takes prime place in some of the seminal chapters of the book. They were exploited physically and their reputations were then “dismembered”. This was done systematically both by the men who exploited them as well as by the men who had no sexual stake in the women. Though it was seen that gender imbalance caused sexual chaos in the colonies among the indentured labourers and their functionaries, the women were made to suffer not merely physical agony but mental torture through character assassination. Some of the comments and statements that Gaiutra cites are from public figures held usually in high regard: Even men without a sexual stake in the women cut them to pieces. The Reverend C.F Andrews, indenture’s greatest critic, rued the women he met in Fiji. “The Hindu woman in this country” he reported, “is like a rudderless vessel with its masts broken being whirled down the rapids of a great river without any controlling hand. She passes from one man to another and has lost even the sense of shame in doing so ”.

Of course none of the opinionated colonisers bother to talk to the women or ask for their version of the reality they face on an everyday basis for survival. Yet they make their judgements on the character of the women vocal and the woman as always is silenced and humbled for circumstances beyond her control.

In 1906, the author’s great grandmother and her new born arrived at Rose Hall Plantation, on Canje Creek. She did no field work there as the narrator informs us… “Dey send her, and she cyaan make it in the field, because her feet was soft …” Instead Sujaria was assigned to be a child minder. This was the job that Jamni, the woman at the edges of the Nonpareil uprising, either as kept woman or rape victim, reportedly had. And this was the job that my great grandmother was given. Perhaps this was because she had a baby to support alone and her caste background had made her useless in the fields. Or perhaps, she possessed a pretty woman’s advantage. (p 148)

Gaiutra explains how caste class and gender are factors that develop new meaning as the woman moves from her own land through along, perilous journey into a new world where her survival depends on her capacity to negotiate with the multiple forces that are decisive to her existence. Her sex, though her weakness, now becomes a major factor that she can utilise for negotiating her survival. In a way of life, that is exploitative, survival become the centre of the labourer’s existence and the author explains how it is achieved in individual cases.

The narrative is supported with documents such as legal references, captains’ or doctor’s logbooks from the ships, police records, administrative reports, photographs etc.

These neglected narratives are footnotes to colonial history and women’s history in particular. It becomes her middle passage:

middle-passaged

passing

beneath the coloring of

desire

in the enemy’s eye

a scatter of worlds and bro

ken wishes

in shiva’s unending dance

(Arnold Itwaru, “We Have

Survived”)

With an astute eye for detail Gaiutra Bahadur, trained as a journalist, unearths sumptuous information buried in documents and records hitherto less-explored areas pertaining to women in indentured labour amounting to sexual slavery, and the odyssey of indenture is presented in a nonchalant manner. However having said that, the documentary nature of the work makes it a little tedious and uninteresting at times over several pages.

The author’s self-conscious struggle to motivate the reader to share individual experiences — albeit factual, in places slipping into a fictional style — is sometimes a bit laborious and too obvious. Gaiutra Bahadur’s Coolie Woman traces the story of how one woman’s experience represents an entire spectrum of woman’s experience: the book is a veritable source book for further research in diaspora studies.

source: http://www.thehindu.com / The Hindu / Home> Features> Book Review / by Usha V.T / September 16th, 2014